| Preview | Track | Artist |
|---|---|---|
|
Salsa Caliente-Outro - See more info. A traditional Cuban, jazzy salsa with a modern touch. |
Dave Yowell |
|
Salsa Caliente-Percussion Cues hits and bangs comp - See more info. A traditional Cuban, jazzy salsa with a modern touch. |
Dave Yowell |
|
Salsa Caliente-Piano Solo - See more info. A traditional Cuban, jazzy salsa with a modern touch. |
Dave Yowell |
|
Secret Mission - See more info. Genre: Cinematic, Tension, Suspense Mood: Suspenseful, Dark, Ominous, Intense, Foreboding Pace: Fast [118bpm] Instrumentation: Piano Deep, Pads, Percussive sounds, Pulsing Rhythms, Ambient textures, Deep Bass, Synths, Strings, Sound Design Elements . |
Sanele Maphisa |
|
Secret Mission - 15s - See more info. Genre: Cinematic, Tension, Suspense Mood: Suspenseful, Dark, Ominous, Intense, Foreboding Pace: Fast [118bpm] Instrumentation: Piano Deep, Pads, Percussive sounds, Pulsing Rhythms, Ambient textures, Deep Bass, Synths, Strings, Sound Design Elements . |
Sanele Maphisa |
|
Secret Mission - 30s - See more info. Genre: Cinematic, Tension, Suspense Mood: Suspenseful, Dark, Ominous, Intense, Foreboding Pace: Fast [118bpm] Instrumentation: Piano Deep, Pads, Percussive sounds, Pulsing Rhythms, Ambient textures, Deep Bass, Synths, Strings, Sound Design Elements . |
Sanele Maphisa |
|
Secret Mission - 60s - See more info. Genre: Cinematic, Tension, Suspense Mood: Suspenseful, Dark, Ominous, Intense, Foreboding Pace: Fast [118bpm] Instrumentation: Piano Deep, Pads, Percussive sounds, Pulsing Rhythms, Ambient textures, Deep Bass, Synths, Strings, Sound Design Elements . |
Sanele Maphisa |
|
Sertão - See more info. The "Sertão" is the dry semi-desert scrubland in the North East of Brazil, where this folkloric genre (Baião, Forror) of music comes from. |
Dave Yowell |
|
Shine My Light - See more info. A bright, sparkling, uplifting and catchy pop melody. |
Metano Katayama |
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Sidewalk Groove - See more info. A cool, groovy and driving blues/jazz rock tune with a soaring electric guitar melody and tight real horn section. |
Scott Ross |